Every photograph is a window into the past- and sometimes what you see surprises you. Children singing a waiata about being kind to animals seems like a modern day school lesson, but the writing on this slide is from 1924! In the 1920s only a few private schools taught the grammer of Te Reo. Tragically, all the other schools saw speaking Te Reo as a caning offence. Was this slide of one of the private schools- or a smaller group or club? We just don't know.

Or maybe these children were located at Waiata Shores, near Auckland (although even then, few schools used Te Reo names for locations back in the 1920s).

Art historian Walter Benjamin coined a term called 'optical unconsciousness' and part of that is seeing a photograph in hindsight. The people in it do not know the future, but we do. Whatever this photograph depicted it seems like it belongs in our present than in it's past.

But the past is full of surprises!

During the First World War when New Zealanders on the 'home front' were far away from the front line and struggled to get accurate photographs published in the press, seeing photos of commanders like Haig would have been important.

Sir Douglas Haig is pictured here after his promotion to General in late 1914 but before his rise to Field Marshal in 1917. A senior commander for much of the war, he has a complicated legacy. Once nicknamed 'the master of the field' and 'the man who won the war' he is now known as 'the butcher of the Somme'- forever linked with the bloody attrition of trench warfare and backward thinking military tactics. However, historians are still divided over which of these legacies is the most deserved.

This 'magic lantern slide' was designed to be inserted into a protector (most likely powered by a lightbulb or, for bigger audiences, a carbon arc lamp) and enlarged onto a screen. Haig's photograph would have been shown in cinemas, schools and churches as well as in community meeting urging patriotism for the war. 

The corner of the slide indicates that it was made in London and it's copies would have served a similar purpose there. 

MAVtech has a broad collection of magic lantern slides- but none are more haunting than this one. We know very little about the person in this photograph. From his uniform we know  he was a lieutenant in the First World War. He is wearing a gas mask to protect against enemy chemical warfare attacks (or 'friendly' gas blowing back towards his own lines). His uniform is clean- it is unlikely he was photographed anywhere near 'The Front'.

It may have been a snapshot. Private cameras on the Western Front were banned from 22nd of December, 1914. One soldier found with a camera was sentenced to three months imprisonment with hard labour. However, the rules were often disobeyed and were sometimes laxer with regards to 'Officers' like a lieutenant. Cameras were also allowed 'behind the lines'  or off-duty, when this picture may have been taken.

But it is more likely that this was an official photograph taken to be displayed during magic lantern lectures at the home front. People were desperate for any news of the war and were eager for photographs. This soldier looks clean, well fed and comparatively relaxed for someone preparing for a chemical attack. He would have been a reassuring image for those back home.

A slide depicting a traditional farming scene from New Zealand made in around the 1920s. Agriculture was a popular theme in New Zealand painting, photography and literature at the time. The fact that it formed the biggest part of our economy no doubt had something to do with this.

This slide was designed to be projected onto a wall using a 'magic lantern' projector.